First a seller of antique jewelry at the age of 35 before embarking on jewelry creation a decade later, Sylvie Corbelin founded her eponymous brand in 2007. Confidential, precious and poetic qualities breathe life into her creations. dreamlike, from the fantastic bestiary to the enchanted mineral forest. . Nature is a recurring theme in her jewelry, as well as the search for rarity, beauty, new encounters and new worlds. Creating unique pieces or very limited editions, it produces about fifty different models annually, ranging from $ 1,000 to six-figure prices. I sit down with her to discuss her love for nature.
What is your definition of “precious” with regard to the fragility of the land and the scarcity of natural resources? How do you approach your profession in a responsible way in a time of change?
The word “precious” comes from the Latin “pretiosus”, Which means“ price ”,“ precious ”or“ what is dear to us, what must be cared for and preserved ”. Today, people are worried! We understand that we can no longer have unlimited quantities of raw materials and that waste is bad. Behaviors are changing and I hope that we will see the resurgence of elegance, refinement and uniqueness. In order to create unique models, I have often favored the purchase of old stones from old mines, precious stones with anomalies or curious shapes and vintage jewelry from which I could recover the stones or make upcycling, such as it is called today. These stones are often neither treated nor heated. I do not draw according to the seasons or to commercial imperatives. My jewelry is designed and manufactured in a spirit of resistance to industrial production methods, which in turn gives them a real identity. Not drawing conventionally is my signature. Imperfections, irregularities and a certain brutality are my hallmarks. I will never create jewelry with software! And I think that the pleasure and the implication that the workshop and I bring to our production are the main values that delight my customers.
What is precious to you (time, space, inner balance, etc.), and why is this important?
What is precious to me is to continue to move forward, to continue to open my eyes and my mind, to refuse obstacles, to free myself and to transmit emotion by creating jewelry. To create, I need solitude, the security of a protected place. My attention then turns inward and works to express my sensitivity. Because every time I create I don’t think in terms of collections, I focus on creating a dialogue with people. I give them words, sincere words that tell them their story.
What is your relationship with nature, and how is this reflected in your jewelry designs?
I was born in the French countryside at a time when my grandmother still went to the washhouse. She had a small garden behind the station and had given me a very small piece of land. Every day, I ran to see if my plants had come out of the ground, if the insects had spared the young shoots. I have had a joyful relationship with nature since I was a child and it has shaped many of my designs and stone choices. For example, I like the underwater light, both intimate and undulating, and the cabochon is the stone that evokes it the most. The sun and the moon punctuate my rings, flowers and insects mingle in precious flower pots. Since then, I have been in awe of the flourishing of life. But above all, it allowed me to understand that there are jobs that enhance existence and shape desire. Creating jewelry is my greatest adventure. And as Fernando Pessoa said so poetically in Pagan poems: “The best life is the one that passes without our measuring it.”