How the designers of the ‘Sex and the City’ reboot created new looks

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After almost a year of waiting, “Sex and the City” fans will finally be able to enjoy the next series in the series, “And Just Like That …”, this week. On Thursday, December 9, Carrie Bradshaw, Miranda Hobbes and Charlotte York will return to viewers’ lives in the “Sex and the City” reboot on HBO Max, with new faces.

Sarah Jessica Parker, Cynthia Nixon and Kristin Davis reprise their iconic characters, now in their 50s as they move through a new phase of their life in New York City. Despite the absence of one of the show’s most beloved characters, Samantha, and the addition of new faces, one thing remains constant in this new “SATC” universe: fashion.

We couldn’t help but wonder: With a reboot, how would the show live up to its reputation for creating iconic looks that make pop culture history?

Molly Rogers and Danny Santiago spoke about creating Sarah Jessica Parker’s sophisticated new wardrobe.HBO MAX

Molly Rogers and Danny Santiago took on the role of costume designers for the Revival series. Both have a long history with the show; Rogers was a costume designer alongside Patricia Field during the original and her subsequent films, “Sex and the City” of 2008 and “Sex and the City 2” of 2010. Santiago is also back after being co-designer. – costume on both films.

It was a looping moment not only for the cast, but also for a large part of the crew. Rogers likened the experience to “the best high school reunion you can go to,” which Santiago confirmed.

“It’s not just a reunion with the characters, but a reunion with some items that came out of storage – things that are really loved and obviously missed,” Rogers said TODAY in a phone interview.

“And just like that …” Miranda, Carrie and Charlotte follow as they navigate their fifties.HBO MAX

The stocking, of course, refers to Sarah Jessica’s famous Parker archive, which consists of almost every outfit in her character Carrie Bradshaw’s wardrobe. Santiago explained that when they were planning looks for the show, they used his collection to create some special pieces for fans of the original series, which ran from 1998 to 2004. Intuitively knowing their image and how they had chose outfits for them years ago. , the costume team was able to approach each character’s look through a more modern lens.

“Then like Pat and Molly did on the TV show, we also incorporated vintage, which we all love,” Santiago said. This involved getting ready in Florida before heading to New York for the show, buying pieces that would suit each character from their favorite vintage dealers.

For Rogers and Santiago, inspiration came at different points in the outfit creation process. Rogers said it could come from anywhere, from a specific room to a certain concept, at times in the script, or just knowing each character so well.

“It happens organically, because we didn’t know the series; we weren’t new costume designers coming in and never seeing any of this, ”she said. “Actually, we usually bought it the first time around, so it was easy for us to go into our memory bank and say, ‘Oh, let’s put that bag back that everyone loved. “

Choosing costumes for “And Just Like That …” was “a collaborative process” for the stars and the show’s creators.HBO MAX

Because it’s not their first time at the rodeo with so many of the cast of “Sex and the City”, putting together the wardrobe for “And Just Like That…” has become a collaborative process. Rogers said Parker, Nixon, and Davis all have their times when hookups become a joint effort. Parker in particular was a voice they leaned heavily on during the process, although all three women offered a great contribution. Although, as Rogers shared, Davis had a funny way of expressing his feelings about specific looks.

“Kristin will scream when she sees something she likes. Or she’ll say to Danny, ‘Where do you think I’m going to wear this?’ Rogers said.

While it can be assumed that the two costume designers felt compelled to continue the legacy of a show known for its iconic fashion moments, Roger said that she and Santiago did not apply this pressure at the end of the day.

HBO MAX

“I think if Danny and I had let this bossy vibe take over us, we would have froze,” Rogers said. “We kind of lived in our own little bubble with SJ (Parker) in particular, and the other girls and the new characters.”

Rather than give in to the pressure, they decided to let go. The duo began by creating a dressing room that fostered a creative and free environment; Rogers said everyone was “gagged” (in a good way!) When they walked in and saw him for the first time. She described the surroundings of the room, explaining, “We kind of felt protected here from the microscope.”

“We really tried to stay true to what we thought was right and what we thought the girls were going to enjoy, and to use our favorite pieces that we had,” Santiago added. “That was really what concerned us, not really what other people’s thoughts were. We limited ourselves to what we were doing and trying to make it as creative as possible without being influenced by someone else.”

While the two costume designers have several favorite looks from the new series, they were able to agree on one of their most beloved looks that Parker wears in one of the episodes. The look, which was featured on the show’s official Instagram account for her costumes, is a colorful madras print ensemble, which includes a vintage Norma Kamali jacket.

“I thought it was a really grown-up Carrie look, because it was colorful, it looked good on her, and she just looked like a cosmopolitan woman in it,” Rogers said of the look.

While Parker loves the outfit at the end, Rogers pointed out that when she first saw the look, the actor said, “You’ll never get me in there.” After two fittings, however, Parker changed her tune when she spotted him on the rack again. In the end, everyone agreed on the look and decided to go for the wild ensemble for this scene.

Rogers also hinted that some of his favorite looks were skipped for the show because there weren’t any suitable scenes, explaining, “A lot of them are hanging out in the rack waiting for their opportunity, if ever. she introduces herself.”

In the meantime, Rogers has a little clue about the new series for longtime “Sex and the City” fans, including some Easter eggs to keep your eyes peeled. “We deliberately set up some things, like traps, in the closet scenes,” she revealed. “I don’t know if the drawer was pulled out in the scene and you see what we put in there, but we set fox traps… for those who are really careful.” And let’s face it, these fans are doing it.

Santiago reveled in the intelligence of the viewers, explaining, “They can extract so much detail from these scenes and they will know what episode it is, they will know the whole story behind it. So it’s going to be fun to see what people can choose from and see what’s in the closet.

The first two episodes of “And Just Like That …” hit HBO Max on December 9. New episodes will air every Thursday following the premiere.



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